Skip to content

Biography

Known for his highly sophisticated use of digital technologies and new media, Paul Pfeiffer (b. 1966, Honolulu, HI) has created celebrated works of video, photography, installation and sculpture since the late 1990s. Editing iconic images or found footage of sporting events, concerts, or Hollywood films, Pfeiffer explores our culture’s obsession with spectacle to uncover its hidden psychological cost. He has had one-person exhibitions at the Whitney Museum of American Art (2001); the Museum of Contemporary Art Chicago (2003); the National Gallery of Victoria, Melbourne (2005); MUSAC León, Spain (2008); the Hamburger Bahnhof, Berlin (2009); Sammlung Goetz, Munich (2011); Honolulu Museum of Art, Honolulu (2016); Museum of Contemporary Art, Chicago (2017). Pfeiffer is also the subject of the retrospective Prologue to the Story of the Birth of Freedom which has traveled to the following museums: the Museum of Contemporary Art, Los Angeles, the Guggenheim Museum Bilbao, Bilbao, and the Museum of Contemporary Art, Chicago (2023–2025). Pfeiffer was also the subject of a retrospective at Sammlung Goetz in Munich, Germany. His work is in the permanent collections of the Museum of Modern Art and the Whitney Museum of American Art, New York; Inhotim Museu de Arte Contemporanea, Inhotim, Brazil; the Pinault Collection, Venice; Hamburger Bahnhof, Berlin; K21, Dusseldorf; Julia Stoscheck Foundation, Dusseldorf and Berlin; and Pinothek der Moderne and Sammlung Goetz, Munich.

Selected Works

Selected Works Thumbnails
Paul Pfeiffer, Caryatid, 2008; three channel digital video loop, three custom 32 inch monitors with embedded media players; overall: 21 x 25 x 96 in. (243.8 x 53.3 x 63.5 cm); running time: 45 seconds each loop (synched); Edition of 3, 2AP

Paul Pfeiffer, Caryatid, 2008; three channel digital video loop, three custom 32 inch monitors with embedded media players; overall: 21 x 25 x 96 in. (243.8 x 53.3 x 63.5 cm); running time: 45 seconds each loop (synched); Edition of 3, 2AP

Paul Pfeiffer
Four Horsemen of the Apocalypse (17), 2004-2018
c-print 72 x 57 5/8 in. (182.9 x 146.4 cm)
Edition 1 of 3, + 2APs

Paul Pfeiffer
Four Horsemen of the Apocalypse (17), 2004-2018
c-print 72 x 57 5/8 in. (182.9 x 146.4 cm)
Edition 1 of 3, + 2APs

Paul Pfeiffer
Red Green Blue, 2022
single channel video with surround sound

Paul Pfeiffer
Red Green Blue, 2022
single channel video with surround sound

Paul Pfeiffer Three Figures In A Room, 2015-16 two synced video channels on two projectors, four synced audio channels, Mac Minis dimensions variable 48 minutes, looped ​Edition of 3, 1 AP
Paul Pfeiffer Three Figures In A Room, 2015-16 two synced video channels on two projectors, four synced audio channels, Mac Minis dimensions variable 48 minutes, looped ​Edition of 3, 1 AP
Paul Pfeiffer Three Figures In A Room, 2015-16 two synced video channels on two projectors, four synced audio channels, Mac Minis dimensions variable 48 minutes, looped ​Edition of 3, 1 AP

Paul Pfeiffer
Three Figures In A Room, 2015-16
two synced video channels on two projectors, four synced audio channels, Mac Minis
dimensions variable 48 minutes, looped
Edition of 3, 1 AP

Paul Pfeiffer Desiderata (Big Wheel), 2019 digital video loops, fabricated aluminum monitor with two embedded media players 4 5/16 x 13 3/8 x 4 3/4 in (11 x 34 x 12 cm) running time: 1 minute 30 seconds Edition 1 of 3, 1 AP
Paul Pfeiffer Desiderata (Big Wheel), (detail), 2019 digital video loops, fabricated aluminum monitor with two embedded media players 4 5/16 x 13 3/8 x 4 3/4 in (11 x 34 x 12 cm) running time: 1 minute 30 seconds Edition of 3, 1 AP
Paul Pfeiffer Desiderata (Big Wheel), 2019 digital video loops, fabricated aluminum monitor with two embedded media players 4 5/16 x 13 3/8 x 4 3/4 in (11 x 34 x 12 cm) running time: 1 minute 30 seconds Edition 1 of 3, 1 AP

Paul Pfeiffer
Desiderata (Big Wheel), 2019
digital video loops, fabricated aluminum monitor with two embedded media players
4 5/16 x 13 3/8 x 4 3/4 in (11 x 34 x 12 cm)
running time: 1 minute 30 seconds
Edition 1 of 3, 1 AP

Paul Pfeiffer John 3:16, 2000 digital video loop, metal armature, LCD monitor, DVD player monitor: 5 1/2 x 6 1/2 x 36 in. (14 x 16.5 x 91.4 cm); video loop: 2:07, Edition of 3, 2 APs

Paul Pfeiffer
John 3:16, 2000
digital video loop, metal armature, LCD monitor, DVD player
monitor: 5 1/2 x 6 1/2 x 36 in. (14 x 16.5 x 91.4 cm); video loop: 2:07, Edition of 3, 2 APs

Paul Pfeiffer Playroom, 2012 steel, glass one-way mirror, wood, MDF, fabric, upholstery, and lights ​62 1/4 x 72 x 30 in. (158.1 x 182.9 x 76.2 cm), Edition of 2, 1 AP

Paul Pfeiffer
Playroom, 2012
steel, glass one-way mirror, wood, MDF, fabric, upholstery, and lights
62 1/4 x 72 x 30 in. (158.1 x 182.9 x 76.2 cm), Edition of 2, 1 AP

Paul Pfeiffer Four Horsemen of the Apocalypse (11), 2004 Fujiflex digital C-print, frame: 56 x 68 x 3 in. (142.2 x 172.7 x 7.6 cm) Edition of 6, 1 AP

Paul Pfeiffer
Four Horsemen of the Apocalypse (11), 2004
Fujiflex digital C-print, frame: 56 x 68 x 3 in. (142.2 x 172.7 x 7.6 cm)
Edition of 6, 1 AP

Paul Pfeiffer, Caryatid (Mosley), 2017 digital video loop

Paul Pfeiffer
Caryatid (Mosley), 2017
digital video loop
chromed 12-inch color television with embedded media player
9 1/2 x 10 1/2 x 14 1/2 in. (24.1 x 26.7 x 36.8 cm)

Paul Pfeiffer Façade Projection: Paul Pfeiffer: Morning After the Deluge, Installation view, Herbert Johnson Museum of Art, Cornell University, Ithaca, NY, February 11 – 25, 2021. Photo: Robert Barker Photography, courtesy of the Herbert F. Johnson Museum of Art, Cornell University.

Paul Pfeiffer
Façade Projection: Paul Pfeiffer: Morning After the Deluge, Installation view, Herbert Johnson Museum of Art, Cornell University, Ithaca, NY, February 11 – 25, 2021. Photo: Robert Barker Photography, courtesy of the Herbert F. Johnson Museum of Art, Cornell University.

Paul Pfeiffer Study for Jerusalem (3), 2006 3 video loops,1 audio loop, 3 projectors, sound system, wood structure dimensions variable
Paul Pfeiffer Study for Jerusalem (3), (detail), 2006 3 video loops,1 audio loop, 3 projectors, sound system, wood structure, dimensions variable
Paul Pfeiffer Study for Jerusalem (3), 2006 3 video loops,1 audio loop, 3 projectors, sound system, wood structure dimensions variable

Paul Pfeiffer
Study for Jerusalem (3), 2006
3 video loops,1 audio loop, 3 projectors, sound system, wood structure
dimensions variable

Paul Pfeiffer Live from Neverland, 2006 two channel digital video loop, single channel audio loop, projector, monitor, speakers 27 in. (68.6 cm) x 10 x 7 1/2 feet (304.8 x 228.6 cm) ​video loop: 10:18, Edition of 3, 1 AP

Paul Pfeiffer
Live from Neverland, 2006
two channel digital video loop, single channel audio loop, projector, monitor, speakers
27 in. (68.6 cm) x 10 x 7 1/2 feet (304.8 x 228.6 cm)
video loop: 10:18, Edition of 3, 1 AP

Paul Pfeiffer, Caryatid, 2008; three channel digital video loop, three custom 32 inch monitors with embedded media players; overall: 21 x 25 x 96 in. (243.8 x 53.3 x 63.5 cm); running time: 45 seconds each loop (synched); Edition of 3, 2AP

Paul Pfeiffer, Caryatid, 2008; three channel digital video loop, three custom 32 inch monitors with embedded media players; overall: 21 x 25 x 96 in. (243.8 x 53.3 x 63.5 cm); running time: 45 seconds each loop (synched); Edition of 3, 2AP

Paul Pfeiffer
Four Horsemen of the Apocalypse (17), 2004-2018
c-print 72 x 57 5/8 in. (182.9 x 146.4 cm)
Edition 1 of 3, + 2APs

Paul Pfeiffer
Four Horsemen of the Apocalypse (17), 2004-2018
c-print 72 x 57 5/8 in. (182.9 x 146.4 cm)
Edition 1 of 3, + 2APs

Paul Pfeiffer
Red Green Blue, 2022
single channel video with surround sound

Paul Pfeiffer
Red Green Blue, 2022
single channel video with surround sound

Paul Pfeiffer Three Figures In A Room, 2015-16 two synced video channels on two projectors, four synced audio channels, Mac Minis dimensions variable 48 minutes, looped ​Edition of 3, 1 AP

Paul Pfeiffer
Three Figures In A Room, 2015-16
two synced video channels on two projectors, four synced audio channels, Mac Minis
dimensions variable 48 minutes, looped
Edition of 3, 1 AP

Paul Pfeiffer Desiderata (Big Wheel), 2019 digital video loops, fabricated aluminum monitor with two embedded media players 4 5/16 x 13 3/8 x 4 3/4 in (11 x 34 x 12 cm) running time: 1 minute 30 seconds Edition 1 of 3, 1 AP

Paul Pfeiffer
Desiderata (Big Wheel), 2019
digital video loops, fabricated aluminum monitor with two embedded media players
4 5/16 x 13 3/8 x 4 3/4 in (11 x 34 x 12 cm)
running time: 1 minute 30 seconds
Edition 1 of 3, 1 AP

Paul Pfeiffer John 3:16, 2000 digital video loop, metal armature, LCD monitor, DVD player monitor: 5 1/2 x 6 1/2 x 36 in. (14 x 16.5 x 91.4 cm); video loop: 2:07, Edition of 3, 2 APs

Paul Pfeiffer
John 3:16, 2000
digital video loop, metal armature, LCD monitor, DVD player
monitor: 5 1/2 x 6 1/2 x 36 in. (14 x 16.5 x 91.4 cm); video loop: 2:07, Edition of 3, 2 APs

Paul Pfeiffer Playroom, 2012 steel, glass one-way mirror, wood, MDF, fabric, upholstery, and lights ​62 1/4 x 72 x 30 in. (158.1 x 182.9 x 76.2 cm), Edition of 2, 1 AP

Paul Pfeiffer
Playroom, 2012
steel, glass one-way mirror, wood, MDF, fabric, upholstery, and lights
62 1/4 x 72 x 30 in. (158.1 x 182.9 x 76.2 cm), Edition of 2, 1 AP

Paul Pfeiffer Four Horsemen of the Apocalypse (11), 2004 Fujiflex digital C-print, frame: 56 x 68 x 3 in. (142.2 x 172.7 x 7.6 cm) Edition of 6, 1 AP

Paul Pfeiffer
Four Horsemen of the Apocalypse (11), 2004
Fujiflex digital C-print, frame: 56 x 68 x 3 in. (142.2 x 172.7 x 7.6 cm)
Edition of 6, 1 AP

Paul Pfeiffer, Caryatid (Mosley), 2017 digital video loop

Paul Pfeiffer
Caryatid (Mosley), 2017
digital video loop
chromed 12-inch color television with embedded media player
9 1/2 x 10 1/2 x 14 1/2 in. (24.1 x 26.7 x 36.8 cm)

Paul Pfeiffer Façade Projection: Paul Pfeiffer: Morning After the Deluge, Installation view, Herbert Johnson Museum of Art, Cornell University, Ithaca, NY, February 11 – 25, 2021. Photo: Robert Barker Photography, courtesy of the Herbert F. Johnson Museum of Art, Cornell University.

Paul Pfeiffer
Façade Projection: Paul Pfeiffer: Morning After the Deluge, Installation view, Herbert Johnson Museum of Art, Cornell University, Ithaca, NY, February 11 – 25, 2021. Photo: Robert Barker Photography, courtesy of the Herbert F. Johnson Museum of Art, Cornell University.

Paul Pfeiffer Study for Jerusalem (3), 2006 3 video loops,1 audio loop, 3 projectors, sound system, wood structure dimensions variable

Paul Pfeiffer
Study for Jerusalem (3), 2006
3 video loops,1 audio loop, 3 projectors, sound system, wood structure
dimensions variable

Paul Pfeiffer Live from Neverland, 2006 two channel digital video loop, single channel audio loop, projector, monitor, speakers 27 in. (68.6 cm) x 10 x 7 1/2 feet (304.8 x 228.6 cm) ​video loop: 10:18, Edition of 3, 1 AP

Paul Pfeiffer
Live from Neverland, 2006
two channel digital video loop, single channel audio loop, projector, monitor, speakers
27 in. (68.6 cm) x 10 x 7 1/2 feet (304.8 x 228.6 cm)
video loop: 10:18, Edition of 3, 1 AP