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Benefit For The Student Mobilization Committee To End The War in Vietnam

Curated By Robert Huot, Lucy Lippard, And Ron Wolin

October 22 – 31, 1968

96 Prince Street

Installation Views

Installation Views Thumbnails
Installation view, Benefit For The Student Mobilization Committee To End The War in Vietnam, October 22 – October 31, 1968. Paula Cooper Gallery, 96-100 Prince Street, New York. Photo: D. James Dee

Installation view, Benefit For The Student Mobilization Committee To End The War in Vietnam, October 22 – October 31, 1968. Paula Cooper Gallery, 96-100 Prince Street, New York. Photo: D. James Dee

Installation view, Benefit For The Student Mobilization Committee To End The War in Vietnam, October 22 – October 31, 1968. Paula Cooper Gallery, 96-100 Prince Street, New York. Photo: D. James Dee

Installation view, Benefit For The Student Mobilization Committee To End The War in Vietnam, October 22 – October 31, 1968. Paula Cooper Gallery, 96-100 Prince Street, New York. Photo: D. James Dee

Installation view, Benefit For The Student Mobilization Committee To End The War in Vietnam, October 22 – October 31, 1968. Paula Cooper Gallery, 96-100 Prince Street, New York. Photo: D. James Dee

Installation view, Benefit For The Student Mobilization Committee To End The War in Vietnam, October 22 – October 31, 1968. Paula Cooper Gallery, 96-100 Prince Street, New York. Photo: D. James Dee

Installation view, Benefit For The Student Mobilization Committee To End The War in Vietnam, October 22 – October 31, 1968. Paula Cooper Gallery, 96-100 Prince Street, New York. Photo: D. James Dee

Installation view, Benefit For The Student Mobilization Committee To End The War in Vietnam, October 22 – October 31, 1968. Paula Cooper Gallery, 96-100 Prince Street, New York. Photo: D. James Dee

Installation view, Benefit For The Student Mobilization Committee To End The War in Vietnam, October 22 – October 31, 1968. Paula Cooper Gallery, 96-100 Prince Street, New York. Photo: D. James Dee

Installation view, Benefit For The Student Mobilization Committee To End The War in Vietnam, October 22 – October 31, 1968. Paula Cooper Gallery, 96-100 Prince Street, New York. Photo: D. James Dee

Installation view, Benefit For The Student Mobilization Committee To End The War in Vietnam, October 22 – October 31, 1968. Paula Cooper Gallery, 96-100 Prince Street, New York. Photo: D. James Dee

Installation view, Benefit For The Student Mobilization Committee To End The War in Vietnam, October 22 – October 31, 1968. Paula Cooper Gallery, 96-100 Prince Street, New York. Photo: D. James Dee

Installation view, Benefit For The Student Mobilization Committee To End The War in Vietnam, October 22 – October 31, 1968. Paula Cooper Gallery, 96-100 Prince Street, New York. Photo: D. James Dee

Installation view, Benefit For The Student Mobilization Committee To End The War in Vietnam, October 22 – October 31, 1968. Paula Cooper Gallery, 96-100 Prince Street, New York. Photo: D. James Dee

Installation view, Benefit For The Student Mobilization Committee To End The War in Vietnam, October 22 – October 31, 1968. Paula Cooper Gallery, 96-100 Prince Street, New York. Photo: D. James Dee

Installation view, Benefit For The Student Mobilization Committee To End The War in Vietnam, October 22 – October 31, 1968. Paula Cooper Gallery, 96-100 Prince Street, New York. Photo: D. James Dee

Installation view, Benefit For The Student Mobilization Committee To End The War in Vietnam, October 22 – October 31, 1968. Paula Cooper Gallery, 96-100 Prince Street, New York. Photo: D. James Dee

Installation view, Benefit For The Student Mobilization Committee To End The War in Vietnam, October 22 – October 31, 1968. Paula Cooper Gallery, 96-100 Prince Street, New York. Photo: D. James Dee

Installation view, Benefit For The Student Mobilization Committee To End The War in Vietnam, October 22 – October 31, 1968. Paula Cooper Gallery, 96-100 Prince Street, New York. Photo: D. James Dee

Installation view, Benefit For The Student Mobilization Committee To End The War in Vietnam, October 22 – October 31, 1968. Paula Cooper Gallery, 96-100 Prince Street, New York. Photo: D. James Dee

Installation view, Benefit For The Student Mobilization Committee To End The War in Vietnam, October 22 – October 31, 1968. Paula Cooper Gallery, 96-100 Prince Street, New York. Photo: D. James Dee

Installation view, Benefit For The Student Mobilization Committee To End The War in Vietnam, October 22 – October 31, 1968. Paula Cooper Gallery, 96-100 Prince Street, New York. Photo: D. James Dee

Installation view, Benefit For The Student Mobilization Committee To End The War in Vietnam, October 22 – October 31, 1968. Paula Cooper Gallery, 96-100 Prince Street, New York. Photo: D. James Dee

Installation view, Benefit For The Student Mobilization Committee To End The War in Vietnam, October 22 – October 31, 1968. Paula Cooper Gallery, 96-100 Prince Street, New York. Photo: D. James Dee

Carl Andre, Jo Baer, Bob Barry, Bill Bollinger, Dan Flavin, Robert Huot, Will Insley, Donald Judd, David Lee, Sol LeWitt, Robert Mangold, Robert Murray, Doug Ohlson, Robert Ryman

These 14 non-objective artists are against the war in Vietnam. They are supporting this commitment in the strongest manner open to them by contributing major examples of their current work. The artists and the individual pieces were selected to represent a particular esthetic attitude, in the conviction that a cohesive group of important works makes the most forceful statement for peace.

—Robert Huot, Lucy Lippard, Ron Wolin

For more information, please contact the gallery: (212) 255-1105 or info@paulacoopergallery.com

Selected Works

Selected Works Thumbnails
Sol LeWitt Wall Drawing #1: Drawing Series II 14 (A & B), 1968 black pencil each: 48 x 48 in. (121.9 x 121.9 cm) First drawn by: Sol LeWitt First installation: Paula Cooper Gallery, New York, NY, October, 1968

Sol LeWitt
Wall Drawing #1: Drawing Series II 14 (A & B), 1968
black pencil
each: 48 x 48 in. (121.9 x 121.9 cm)
First drawn by: Sol LeWitt
First installation: Paula Cooper Gallery, New York, NY, October, 1968

Bill Bollinger Rope Piece, 1968 two hemp ropes, two ring bolts, four iron clamps, one screw hook dimensions variable

Bill Bollinger
Rope Piece, 1968
two hemp ropes, two ring bolts, four iron clamps, one screw hook
dimensions variable

Jo Baer Untitled (Vertical Flanking Diptych - Green), 1966-74 oil on canvas, two panels each: 96 x 68 x 3 3/8 in. (243.8 x 172.7 x 8.6 cm) overall: 96 x 148 x 3 3/8 in. (243.8 x 375.9 x 8.6 cm)

Jo Baer
Untitled (Vertical Flanking Diptych - Green), 1966-74
oil on canvas, two panels
each: 96 x 68 x 3 3/8 in. (243.8 x 172.7 x 8.6 cm)
overall: 96 x 148 x 3 3/8 in. (243.8 x 375.9 x 8.6 cm)

Carl Andre Twenty-Eight Red Brick Line, 1968 28 bricks in a row each brick, approximately: 3 1/8 x 7 3/4 x 2 1/4 in. (7.9 x 19.7 x 5.7 cm) overall: 3 1/8 x 223 1/4 x 2 1/4 in. (7.9 x 567.1 x 5.7 cm)

Carl Andre
Twenty-Eight Red Brick Line, 1968
28 bricks in a row
each brick, approximately: 3 1/8 x 7 3/4 x 2 1/4 in. (7.9 x 19.7 x 5.7 cm)
overall: 3 1/8 x 223 1/4 x 2 1/4 in. (7.9 x 567.1 x 5.7 cm)

Donald Judd Untitled, 1968 brass 22 x 48 1/4 x 36 in.

Donald Judd
Untitled, 1968
brass
22 x 48 1/4 x 36 in.

Sol LeWitt Wall Drawing #1: Drawing Series II 14 (A & B), 1968 black pencil each: 48 x 48 in. (121.9 x 121.9 cm) First drawn by: Sol LeWitt First installation: Paula Cooper Gallery, New York, NY, October, 1968

Sol LeWitt
Wall Drawing #1: Drawing Series II 14 (A & B), 1968
black pencil
each: 48 x 48 in. (121.9 x 121.9 cm)
First drawn by: Sol LeWitt
First installation: Paula Cooper Gallery, New York, NY, October, 1968

Bill Bollinger Rope Piece, 1968 two hemp ropes, two ring bolts, four iron clamps, one screw hook dimensions variable

Bill Bollinger
Rope Piece, 1968
two hemp ropes, two ring bolts, four iron clamps, one screw hook
dimensions variable

Jo Baer Untitled (Vertical Flanking Diptych - Green), 1966-74 oil on canvas, two panels each: 96 x 68 x 3 3/8 in. (243.8 x 172.7 x 8.6 cm) overall: 96 x 148 x 3 3/8 in. (243.8 x 375.9 x 8.6 cm)

Jo Baer
Untitled (Vertical Flanking Diptych - Green), 1966-74
oil on canvas, two panels
each: 96 x 68 x 3 3/8 in. (243.8 x 172.7 x 8.6 cm)
overall: 96 x 148 x 3 3/8 in. (243.8 x 375.9 x 8.6 cm)

Carl Andre Twenty-Eight Red Brick Line, 1968 28 bricks in a row each brick, approximately: 3 1/8 x 7 3/4 x 2 1/4 in. (7.9 x 19.7 x 5.7 cm) overall: 3 1/8 x 223 1/4 x 2 1/4 in. (7.9 x 567.1 x 5.7 cm)

Carl Andre
Twenty-Eight Red Brick Line, 1968
28 bricks in a row
each brick, approximately: 3 1/8 x 7 3/4 x 2 1/4 in. (7.9 x 19.7 x 5.7 cm)
overall: 3 1/8 x 223 1/4 x 2 1/4 in. (7.9 x 567.1 x 5.7 cm)

Donald Judd Untitled, 1968 brass 22 x 48 1/4 x 36 in.

Donald Judd
Untitled, 1968
brass
22 x 48 1/4 x 36 in.