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Terry Adkins
Marshall, 2013
wood-handled fruit harvester, chrome, blown glass, and velvet cushion
45 x 12 x 12 in. (114.3 x 30.5 x 30.5 cm)

Terry Adkins
Marshall, 2013
wood-handled fruit harvester, chrome, blown glass, and velvet cushion
45 x 12 x 12 in. (114.3 x 30.5 x 30.5 cm)

Carl Andre SUM ROMA, Marseille, 1997 travertine overall: 15 11/16 x 39 5/16 x 39 5/16 in. (39.8 x 99.9 x 99.9 cm) each: 7.87 x 7.87 x 7.87 in. (20 x 20 x 20 cm)

Carl Andre
SUM ROMA, Marseille, 1997
travertine
overall: 15 11/16 x 39 5/16 x 39 5/16 in. (39.8 x 99.9 x 99.9 cm)
each: 7.87 x 7.87 x 7.87 in. (20 x 20 x 20 cm)

Tauba Auerbach Foam, 2024 acrylic on dibond 60 x 90 x 1 in. (152.4 x 228.6 x 2.5 cm)

Tauba Auerbach
Foam, 2024
acrylic on dibond
60 x 90 x 1 in. (152.4 x 228.6 x 2.5 cm)
 

Jennifer Bartlett (Glass House on Plate), 1999 - 2000 enamel and oil over glass on silkscreen grid, baked enamel, steel plate 14 x 12 in. (35.6 x 30.5 cm)

Jennifer Bartlett
(Glass House on Plate), 1999 - 2000
enamel and oil over glass on silkscreen grid, baked enamel, steel plate
14 x 12 in. (35.6 x 30.5 cm)

Bernd & Hilla Becher Gravel Plants, 1989-1992 15 gelatin silver prints image: 15 3/8 x 11 3/4 in. (39.1 x 29.8 cm) frame: 22 1/8 x 18 1/4 in. (56.2 x 46.4 cm)

Bernd & Hilla Becher
Gravel Plants, 1989-1992
15 gelatin silver prints
image: 15 3/8 x 11 3/4 in. (39.1 x 29.8 cm)
frame: 22 1/8 x 18 1/4 in. (56.2 x 46.4 cm)

Sophie Calle Obituary (Nécrologie), 2023 photograph and butterflies in custom frame with anti-glare glass 16 3/4 x 12 1/2 x 2 3/4 in. (42.5 x 31.5 x 7 cm) Edition 5 of 5 (English)

Sophie Calle
Obituary (Nécrologie), 2023
photograph and butterflies in custom frame with anti-glare glass
16 3/4 x 12 1/2 x 2 3/4 in. (42.5 x 31.5 x 7 cm)
Edition 5 of 5 (English)

Sophie Calle Obituary (Nécrologie), 2023 photograph and butterflies in custom frame with anti-glare glass 16 3/4 x 12 1/2 x 2 3/4 in. (42.5 x 31.5 x 7 cm)

Sophie Calle
Obituary (Nécrologie), 2023
photograph and butterflies in custom frame with anti-glare glass
16 3/4 x 12 1/2 x 2 3/4 in. (42.5 x 31.5 x 7 cm)
Edition 1 of 5 (English)

Sarah Charlesworth Rider, 1983-84 cibachrome with lacquered wood frame frame: 20 1/2 x 15 3/4 x 1 1/4 in. (52.1 x 40 x 3.2 cm)

Sarah Charlesworth
Rider, 1983-84
cibachrome with lacquered wood frame
frame: 20 1/2 x 15 3/4 x 1 1/4 in. (52.1 x 40 x 3.2 cm)
blind-stamped using the artist’s embossing seal on the lower right corner of the print, with an estate label on the verso side
AP 1, Edition of 7, +2 APs

Bruce Conner UNTITLED, 2003 engraving collage 9 3/4 x 7 1/4 in. (24.8 x 18.4 cm) frame: 15 1/4 x 12 1/2 in. (38.7 x 31.8 cm)

Bruce Conner
UNTITLED, 2003
engraving collage
9 3/4 x 7 1/4 in. (24.8 x 18.4 cm)
frame: 15 1/4 x 12 1/2 in. (38.7 x 31.8 cm)

Bruce Conner UNTITLED 1954-1956, 1956 oil and gold leaf on masonite frame: 21 3/4 x 15 7/8 in. (55.2 x 40.3 cm)

Bruce Conner
UNTITLED 1954-1956, 1956
oil and gold leaf on masonite
frame: 21 3/4 x 15 7/8 in. (55.2 x 40.3 cm)

Bruce Conner UNTITLED OCTOBER 1, 1987, 1987 engraving collage 6 x 4 in. (15.2 x 10.2 cm) frame: 16 3/4 x 14 1/4 in. (42.5 x 36.2 cm)

Bruce Conner
UNTITLED OCTOBER 1, 1987, 1987
engraving collage
6 x 4 in. (15.2 x 10.2 cm)
frame: 16 3/4 x 14 1/4 in. (42.5 x 36.2 cm)

Jay DeFeo Verdict No. 2, 1982 oil, acrylic, and black tape on canvas 96 x 72 in. (243.8 x 182.9 cm)

Jay DeFeo
Verdict No. 2, 1982
oil, acrylic, and black tape on canvas
96 x 72 in. (243.8 x 182.9 cm)
 

Luciano Fabro Computer, 1988-1994 steel, iron and zinc 98 3/8 x 126 x 2 in. (250 x 320 x 5 cm) (approx.)

Luciano Fabro
Computer, 1988-1994
steel, iron and zinc
98 3/8 x 126 x 2 in. (250 x 320 x 5 cm) (approx.)

Emily Feather A STITCH IN TIME, 2005 ink and collage on paper 22 7/8 x 28 7/8 in. (58.1 x 73.3 cm) frame: 30 1/4 x 36 1/8 in. (76.8 x 91.8 cm)

Emily Feather
A STITCH IN TIME, 2005
ink and collage on paper
22 7/8 x 28 7/8 in. (58.1 x 73.3 cm)
frame: 30 1/4 x 36 1/8 in. (76.8 x 91.8 cm)

Ja'Tovia Gary Ingenue I (Papillon), 2024 acrylic, wheat paste, imitation gold leaf, coffee, watercolor, quartz crystal, neon on wood board, Bible 65 x 24 x 4 in. (165.1 x 61 x 10.2 cm)

Ja'Tovia Gary
Ingenue I (Papillon), 2024
acrylic, wheat paste, imitation gold leaf, coffee, watercolor, quartz crystal, neon on wood board, Bible
65 x 24 x 4 in. (165.1 x 61 x 10.2 cm)

Cynthia Hawkins Maps Necessary for a Walk in 4D #2, 2023 acrylic on canvas 55 x 45 in. (139.7 x 114.3 cm) Signed and dated lower right; titled, signed, and dated verso

Cynthia Hawkins
Maps Necessary for a Walk in 4D #2, 2023
acrylic on canvas
55 x 45 in. (139.7 x 114.3 cm)
 

Michael Heizer Biface Perforator #3, 1988-89 modified concrete and steel 57 x 104 x 24 in. (144.8 x 264.2 x 61 cm)

Michael Heizer
Biface Perforator #3, 1988-89
modified concrete and steel
57 x 104 x 24 in. (144.8 x 264.2 x 61 cm)
 

Yayoi Kusama Accumulation of Nets, 1961 gelatin silver prints and ink collage on board 24 1/2 x 29 in. (62.2 x 73.7 cm) frame: 26 3/4 x 31 3/4 x 1 1/2 in. (67.9 x 80.6 x 3.8 cm)

Yayoi Kusama
Accumulation of Nets, 1961
gelatin silver prints and ink collage on board
24 1/2 x 29 in. (62.2 x 73.7 cm)
frame: 26 3/4 x 31 3/4 x 1 1/2 in. (67.9 x 80.6 x 3.8 cm)
 

Sherrie Levine Antelope Skull, 2006 cast bronze 16 x 12 x 13 in. (40.6 x 30.5 x 33 cm) Edition 1 of 12

Sherrie Levine
Antelope Skull, 2006
cast bronze
16 x 12 x 13 in. (40.6 x 30.5 x 33 cm) 
Edition 1 of 12

Sol LeWitt Complex Form #42 (Wall Piece), 1990 Painted wood 51 x 29 x 20 in. (129.5 x 73.7 x 50.8 cm)

Sol LeWitt
Complex Form #42 (Wall Piece), 1990
Painted wood
51 x 29 x 20 in. (129.5 x 73.7 x 50.8 cm)

Sol LeWitt (rip) Map of New York City With the Area Between the Points Where I have Lived, Removed, 1979 Black & white photograph with cut-out 15 3/4 x 15 3/4 in. (40 x 40 cm) frame: 17 3/8 x 17 3/8 x 1 1/2 in. (44.1 x 44.1 x 3.8 cm)

Sol LeWitt
(rip) Map of New York City With the Area Between the Points Where I have Lived, Removed, 1979
Black & white photograph with cut-out
15 3/4 x 15 3/4 in. (40 x 40 cm)
frame: 17 3/8 x 17 3/8 x 1 1/2 in. (44.1 x 44.1 x 3.8 cm)

Eric N. Mack
Mary, 2023
fabric on aluminum stretcher
stretcher: 84 x 70 in. (213.4 x 177.8 cm)
overall:  87 x 83 x 9 in. (221 x 210.8 x 22.9 cm)

Eric N. Mack
Mary, 2023
fabric on aluminum stretcher
stretcher: 84 x 70 in. (213.4 x 177.8 cm)
overall:  87 x 83 x 9 in. (221 x 210.8 x 22.9 cm)

Christian Marclay Untitled, 1981 acrylic on record covers 12 1/4 x 24 3/4 in. (31.1 x 62.9 cm) frame: 17 3/4 x 29 3/4 x 1 3/4 in. (45.1 x 75.6 x 4.4 cm)

Christian Marclay
Untitled, 1981
acrylic on record covers
12 1/4 x 24 3/4 in. (31.1 x 62.9 cm)
frame: 17 3/4 x 29 3/4 x 1 3/4 in. (45.1 x 75.6 x 4.4 cm)

David Novros Untitled (Boathouse study), 2000 watercolor on paper image: 22 1/4 x 30 1/4 in. (56.5 x 76.8 cm) frame: 25 5/8 x 32 1/2 x 1 1/2 in. (65.1 x 82.6 x 3.8 cm)

David Novros
Untitled (Boathouse study), 2000
watercolor on paper
image: 22 1/4 x 30 1/4 in. (56.5 x 76.8 cm)
frame: 25 5/8 x 32 1/2 x 1 1/2 in. (65.1 x 82.6 x 3.8 cm)

Claes Oldenburg Alcatraz Island Reconstructed as a Landscape in the Form of an Upturned Foot - (Planned Monument to the American Indian) - View of the Entrance, 1971 pencil and colored pencil on paper sight: 11 x 14 in. (27.9 x 35.6 cm) frame: 18 x 20 5/8 in. (45.7 x 52.4 cm)

Claes Oldenburg
Alcatraz Island Reconstructed as a Landscape in the Form of an Upturned Foot - (Planned Monument to the American Indian) - View of the Entrance, 1971
pencil and colored pencil on paper
sight: 11 x 14 in. (27.9 x 35.6 cm)
frame: 18 x 20 5/8 in. (45.7 x 52.4 cm)

Claes Oldenburg Arch to Span the Suez Canal - Ears of the Sphinx, 1971 pencil on paper sight: 14 x 11 in. (35.6 x 27.9 cm) frame: 21 x 17 5/8 in. (53.3 x 44.8 cm)

Claes Oldenburg
Arch to Span the Suez Canal - Ears of the Sphinx, 1971
pencil on paper
sight: 14 x 11 in. (35.6 x 27.9 cm)
frame: 21 x 17 5/8 in. (53.3 x 44.8 cm)

Claes Oldenburg Bridge Over the Rhine at Dusseldorf in the Shape of a Colossal Saw, 1971 crayon, pencil, and watercolor on paper sight: 10 1/2 x 14 in. (26.7 x 35.6 cm) frame: 17 7/8 x 20 5/8 in. (45.4 x 52.4 cm)

Claes Oldenburg
Bridge Over the Rhine at Dusseldorf in the Shape of a Colossal Saw, 1971
crayon, pencil, and watercolor on paper
sight: 10 1/2 x 14 in. (26.7 x 35.6 cm)
frame: 17 7/8 x 20 5/8 in. (45.4 x 52.4 cm)

Claes Oldenburg Cemetery in the Shape of a Colossal Screw Skyscraper, for Sao Paolo, Brazil, 1971 pencil and colored pencil on paper sight: 14 x 11 in. (35.6 x 27.9 cm) frame: 20 7/8 x 17 5/8 in. (53 x 44.8 cm)

Claes Oldenburg
Cemetery in the Shape of a Colossal Screw Skyscraper, for Sao Paolo, Brazil, 1971
pencil and colored pencil on paper
sight: 14 x 11 in. (35.6 x 27.9 cm)
frame: 20 7/8 x 17 5/8 in. (53 x 44.8 cm)

Claes Oldenburg Colossal Sculpture in the Form of a Bear on the Flag of California - Shown in the Final Stages of Excavation, 1971 pencil and colored pencil on paper sight: 14 x 11 in. (35.6 x 27.9 cm) frame: 20 7/8 x 17 5/8 in. (53 x 44.8 cm)

Claes Oldenburg
Colossal Sculpture in the Form of a Bear on the Flag of California - Shown in the Final Stages of Excavation, 1971
pencil and colored pencil on paper
sight: 14 x 11 in. (35.6 x 27.9 cm)
frame: 20 7/8 x 17 5/8 in. (53 x 44.8 cm)

Claes Oldenburg Memorial to the 1941 Attack on Pearl Harbor, Hawaii Water "Park" with "Foliage" in the Form of Explosions, 1971 pencil and colored pencil on paper sight: 11 x 14 in. (27.9 x 35.6 cm) frame: 17 3/4 x 20 5/8 in. (45.1 x 52.4 cm)

Claes Oldenburg
Memorial to the 1941 Attack on Pearl Harbor, Hawaii Water "Park" with "Foliage" in the Form of Explosions, 1971
pencil and colored pencil on paper
sight: 11 x 14 in. (27.9 x 35.6 cm)
frame: 17 3/4 x 20 5/8 in. (45.1 x 52.4 cm)

Claes Oldenburg Tower in the Form of a Colossal Thumb, "Czar's Thumb," on the Moscow Road , 1971 pencil and colored pencil on paper sight: 14 x 11 in. (35.6 x 27.9 cm) frame: 20 7/8 x 17 5/8 in. (53 x 44.8 cm)

Claes Oldenburg
Tower in the Form of a Colossal Thumb, "Czar's Thumb," on the Moscow Road, 1971
pencil and colored pencil on paper
sight: 14 x 11 in. (35.6 x 27.9 cm)
frame: 20 7/8 x 17 5/8 in. (53 x 44.8 cm)

Walid Raad Epilogue: The Gold and Silver, 2021 10 pigmented inkjet prints each: 23 3/4 x 20 1/2 in. (60.3 x 52.1 cm) frame: 24 1/2 x 21 1/4 x 1 3/4 in. (62.2 x 54 x 4.4 cm)

Walid Raad
Epilogue: The Gold and Silver, 2021
10 pigmented inkjet prints
each: 23 3/4 x 20 1/2 in. (60.3 x 52.1 cm)
frame: 24 1/2 x 21 1/4 x 1 3/4 in. (62.2 x 54 x 4.4 cm)
Edition 2 of 5, 2 APs

Veronica Ryan Separate but together, 2024 bronze, crocheted fishing line, cotton thread, shriveled mango, date net, embroidered cotton fabric, and wadding 12 x 14 in. (30.5 x 35.6 cm)

Veronica Ryan
Separate but together, 2024
bronze, crocheted fishing line, cotton thread, shriveled mango, date net, embroidered cotton fabric, and wadding
12 x 14 in. (30.5 x 35.6 cm)

Joel Shapiro Untitled, 1980/2003 wood and casein 5 1/2 x 4 3/4 x 1 9/16 in. (14 x 12.1 x 4 cm)

Joel Shapiro
Untitled, 1980/2003
wood and casein
5 1/2 x 4 3/4 x 1 9/16 in. (14 x 12.1 x 4 cm)

Kelley Walker
[the color chips\the large glass\ life with mammals], 11/15/2023
oil paint on plywood panel
42 x 42 1/2 x 2 in. (106.7 x 108 x 5.1 cm)
signed, dated and titled on verso

Kelley Walker
[the color chips\the large glass\ life with mammals], 11/15/2023
oil paint on plywood panel
42 x 42 1/2 x 2 in. (106.7 x 108 x 5.1 cm)
signed, dated and titled on verso

Dan Walsh Extent, 2024 acrylic on canvas 55 x 55 in. (139.7 x 139.7 cm)

Dan Walsh
Extent, 2024
acrylic on canvas
55 x 55 in. (139.7 x 139.7 cm)

Meg Webster Pike, 2024 bronze height: 120 in. (304.8 cm) diameter: 3 in. (7.6 cm)

Meg Webster
Pike, 2024
bronze
height: 120 in. (304.8 cm)
diameter: 3 in. (7.6 cm)
Edition 1 of 3, 1 AP

Jackie Winsor Burned and Red Inside Out Piece, 1985 Wood, paint 30 x 30 x 30 in. (76.2 x 76.2 x 76.2 cm)

Jackie Winsor
Burned and Red Inside Out Piece, 1985
Wood, paint
30 x 30 x 30 in. (76.2 x 76.2 x 76.2 cm)

Terry Adkins
Marshall, 2013
wood-handled fruit harvester, chrome, blown glass, and velvet cushion
45 x 12 x 12 in. (114.3 x 30.5 x 30.5 cm)

Terry Adkins
Marshall, 2013
wood-handled fruit harvester, chrome, blown glass, and velvet cushion
45 x 12 x 12 in. (114.3 x 30.5 x 30.5 cm)

Carl Andre SUM ROMA, Marseille, 1997 travertine overall: 15 11/16 x 39 5/16 x 39 5/16 in. (39.8 x 99.9 x 99.9 cm) each: 7.87 x 7.87 x 7.87 in. (20 x 20 x 20 cm)

Carl Andre
SUM ROMA, Marseille, 1997
travertine
overall: 15 11/16 x 39 5/16 x 39 5/16 in. (39.8 x 99.9 x 99.9 cm)
each: 7.87 x 7.87 x 7.87 in. (20 x 20 x 20 cm)

Tauba Auerbach Foam, 2024 acrylic on dibond 60 x 90 x 1 in. (152.4 x 228.6 x 2.5 cm)

Tauba Auerbach
Foam, 2024
acrylic on dibond
60 x 90 x 1 in. (152.4 x 228.6 x 2.5 cm)
 

Jennifer Bartlett (Glass House on Plate), 1999 - 2000 enamel and oil over glass on silkscreen grid, baked enamel, steel plate 14 x 12 in. (35.6 x 30.5 cm)

Jennifer Bartlett
(Glass House on Plate), 1999 - 2000
enamel and oil over glass on silkscreen grid, baked enamel, steel plate
14 x 12 in. (35.6 x 30.5 cm)

Bernd & Hilla Becher Gravel Plants, 1989-1992 15 gelatin silver prints image: 15 3/8 x 11 3/4 in. (39.1 x 29.8 cm) frame: 22 1/8 x 18 1/4 in. (56.2 x 46.4 cm)

Bernd & Hilla Becher
Gravel Plants, 1989-1992
15 gelatin silver prints
image: 15 3/8 x 11 3/4 in. (39.1 x 29.8 cm)
frame: 22 1/8 x 18 1/4 in. (56.2 x 46.4 cm)

Sophie Calle Obituary (Nécrologie), 2023 photograph and butterflies in custom frame with anti-glare glass 16 3/4 x 12 1/2 x 2 3/4 in. (42.5 x 31.5 x 7 cm) Edition 5 of 5 (English)

Sophie Calle
Obituary (Nécrologie), 2023
photograph and butterflies in custom frame with anti-glare glass
16 3/4 x 12 1/2 x 2 3/4 in. (42.5 x 31.5 x 7 cm)
Edition 5 of 5 (English)

Sophie Calle Obituary (Nécrologie), 2023 photograph and butterflies in custom frame with anti-glare glass 16 3/4 x 12 1/2 x 2 3/4 in. (42.5 x 31.5 x 7 cm)

Sophie Calle
Obituary (Nécrologie), 2023
photograph and butterflies in custom frame with anti-glare glass
16 3/4 x 12 1/2 x 2 3/4 in. (42.5 x 31.5 x 7 cm)
Edition 1 of 5 (English)

Sarah Charlesworth Rider, 1983-84 cibachrome with lacquered wood frame frame: 20 1/2 x 15 3/4 x 1 1/4 in. (52.1 x 40 x 3.2 cm)

Sarah Charlesworth
Rider, 1983-84
cibachrome with lacquered wood frame
frame: 20 1/2 x 15 3/4 x 1 1/4 in. (52.1 x 40 x 3.2 cm)
blind-stamped using the artist’s embossing seal on the lower right corner of the print, with an estate label on the verso side
AP 1, Edition of 7, +2 APs

Bruce Conner UNTITLED, 2003 engraving collage 9 3/4 x 7 1/4 in. (24.8 x 18.4 cm) frame: 15 1/4 x 12 1/2 in. (38.7 x 31.8 cm)

Bruce Conner
UNTITLED, 2003
engraving collage
9 3/4 x 7 1/4 in. (24.8 x 18.4 cm)
frame: 15 1/4 x 12 1/2 in. (38.7 x 31.8 cm)

Bruce Conner UNTITLED 1954-1956, 1956 oil and gold leaf on masonite frame: 21 3/4 x 15 7/8 in. (55.2 x 40.3 cm)

Bruce Conner
UNTITLED 1954-1956, 1956
oil and gold leaf on masonite
frame: 21 3/4 x 15 7/8 in. (55.2 x 40.3 cm)

Bruce Conner UNTITLED OCTOBER 1, 1987, 1987 engraving collage 6 x 4 in. (15.2 x 10.2 cm) frame: 16 3/4 x 14 1/4 in. (42.5 x 36.2 cm)

Bruce Conner
UNTITLED OCTOBER 1, 1987, 1987
engraving collage
6 x 4 in. (15.2 x 10.2 cm)
frame: 16 3/4 x 14 1/4 in. (42.5 x 36.2 cm)

Jay DeFeo Verdict No. 2, 1982 oil, acrylic, and black tape on canvas 96 x 72 in. (243.8 x 182.9 cm)

Jay DeFeo
Verdict No. 2, 1982
oil, acrylic, and black tape on canvas
96 x 72 in. (243.8 x 182.9 cm)
 

Luciano Fabro Computer, 1988-1994 steel, iron and zinc 98 3/8 x 126 x 2 in. (250 x 320 x 5 cm) (approx.)

Luciano Fabro
Computer, 1988-1994
steel, iron and zinc
98 3/8 x 126 x 2 in. (250 x 320 x 5 cm) (approx.)

Emily Feather A STITCH IN TIME, 2005 ink and collage on paper 22 7/8 x 28 7/8 in. (58.1 x 73.3 cm) frame: 30 1/4 x 36 1/8 in. (76.8 x 91.8 cm)

Emily Feather
A STITCH IN TIME, 2005
ink and collage on paper
22 7/8 x 28 7/8 in. (58.1 x 73.3 cm)
frame: 30 1/4 x 36 1/8 in. (76.8 x 91.8 cm)

Ja'Tovia Gary Ingenue I (Papillon), 2024 acrylic, wheat paste, imitation gold leaf, coffee, watercolor, quartz crystal, neon on wood board, Bible 65 x 24 x 4 in. (165.1 x 61 x 10.2 cm)

Ja'Tovia Gary
Ingenue I (Papillon), 2024
acrylic, wheat paste, imitation gold leaf, coffee, watercolor, quartz crystal, neon on wood board, Bible
65 x 24 x 4 in. (165.1 x 61 x 10.2 cm)

Cynthia Hawkins Maps Necessary for a Walk in 4D #2, 2023 acrylic on canvas 55 x 45 in. (139.7 x 114.3 cm) Signed and dated lower right; titled, signed, and dated verso

Cynthia Hawkins
Maps Necessary for a Walk in 4D #2, 2023
acrylic on canvas
55 x 45 in. (139.7 x 114.3 cm)
 

Michael Heizer Biface Perforator #3, 1988-89 modified concrete and steel 57 x 104 x 24 in. (144.8 x 264.2 x 61 cm)

Michael Heizer
Biface Perforator #3, 1988-89
modified concrete and steel
57 x 104 x 24 in. (144.8 x 264.2 x 61 cm)
 

Yayoi Kusama Accumulation of Nets, 1961 gelatin silver prints and ink collage on board 24 1/2 x 29 in. (62.2 x 73.7 cm) frame: 26 3/4 x 31 3/4 x 1 1/2 in. (67.9 x 80.6 x 3.8 cm)

Yayoi Kusama
Accumulation of Nets, 1961
gelatin silver prints and ink collage on board
24 1/2 x 29 in. (62.2 x 73.7 cm)
frame: 26 3/4 x 31 3/4 x 1 1/2 in. (67.9 x 80.6 x 3.8 cm)
 

Sherrie Levine Antelope Skull, 2006 cast bronze 16 x 12 x 13 in. (40.6 x 30.5 x 33 cm) Edition 1 of 12

Sherrie Levine
Antelope Skull, 2006
cast bronze
16 x 12 x 13 in. (40.6 x 30.5 x 33 cm) 
Edition 1 of 12

Sol LeWitt Complex Form #42 (Wall Piece), 1990 Painted wood 51 x 29 x 20 in. (129.5 x 73.7 x 50.8 cm)

Sol LeWitt
Complex Form #42 (Wall Piece), 1990
Painted wood
51 x 29 x 20 in. (129.5 x 73.7 x 50.8 cm)

Sol LeWitt (rip) Map of New York City With the Area Between the Points Where I have Lived, Removed, 1979 Black & white photograph with cut-out 15 3/4 x 15 3/4 in. (40 x 40 cm) frame: 17 3/8 x 17 3/8 x 1 1/2 in. (44.1 x 44.1 x 3.8 cm)

Sol LeWitt
(rip) Map of New York City With the Area Between the Points Where I have Lived, Removed, 1979
Black & white photograph with cut-out
15 3/4 x 15 3/4 in. (40 x 40 cm)
frame: 17 3/8 x 17 3/8 x 1 1/2 in. (44.1 x 44.1 x 3.8 cm)

Eric N. Mack
Mary, 2023
fabric on aluminum stretcher
stretcher: 84 x 70 in. (213.4 x 177.8 cm)
overall:  87 x 83 x 9 in. (221 x 210.8 x 22.9 cm)

Eric N. Mack
Mary, 2023
fabric on aluminum stretcher
stretcher: 84 x 70 in. (213.4 x 177.8 cm)
overall:  87 x 83 x 9 in. (221 x 210.8 x 22.9 cm)

Christian Marclay Untitled, 1981 acrylic on record covers 12 1/4 x 24 3/4 in. (31.1 x 62.9 cm) frame: 17 3/4 x 29 3/4 x 1 3/4 in. (45.1 x 75.6 x 4.4 cm)

Christian Marclay
Untitled, 1981
acrylic on record covers
12 1/4 x 24 3/4 in. (31.1 x 62.9 cm)
frame: 17 3/4 x 29 3/4 x 1 3/4 in. (45.1 x 75.6 x 4.4 cm)

David Novros Untitled (Boathouse study), 2000 watercolor on paper image: 22 1/4 x 30 1/4 in. (56.5 x 76.8 cm) frame: 25 5/8 x 32 1/2 x 1 1/2 in. (65.1 x 82.6 x 3.8 cm)

David Novros
Untitled (Boathouse study), 2000
watercolor on paper
image: 22 1/4 x 30 1/4 in. (56.5 x 76.8 cm)
frame: 25 5/8 x 32 1/2 x 1 1/2 in. (65.1 x 82.6 x 3.8 cm)

Claes Oldenburg Alcatraz Island Reconstructed as a Landscape in the Form of an Upturned Foot - (Planned Monument to the American Indian) - View of the Entrance, 1971 pencil and colored pencil on paper sight: 11 x 14 in. (27.9 x 35.6 cm) frame: 18 x 20 5/8 in. (45.7 x 52.4 cm)

Claes Oldenburg
Alcatraz Island Reconstructed as a Landscape in the Form of an Upturned Foot - (Planned Monument to the American Indian) - View of the Entrance, 1971
pencil and colored pencil on paper
sight: 11 x 14 in. (27.9 x 35.6 cm)
frame: 18 x 20 5/8 in. (45.7 x 52.4 cm)

Claes Oldenburg Arch to Span the Suez Canal - Ears of the Sphinx, 1971 pencil on paper sight: 14 x 11 in. (35.6 x 27.9 cm) frame: 21 x 17 5/8 in. (53.3 x 44.8 cm)

Claes Oldenburg
Arch to Span the Suez Canal - Ears of the Sphinx, 1971
pencil on paper
sight: 14 x 11 in. (35.6 x 27.9 cm)
frame: 21 x 17 5/8 in. (53.3 x 44.8 cm)

Claes Oldenburg Bridge Over the Rhine at Dusseldorf in the Shape of a Colossal Saw, 1971 crayon, pencil, and watercolor on paper sight: 10 1/2 x 14 in. (26.7 x 35.6 cm) frame: 17 7/8 x 20 5/8 in. (45.4 x 52.4 cm)

Claes Oldenburg
Bridge Over the Rhine at Dusseldorf in the Shape of a Colossal Saw, 1971
crayon, pencil, and watercolor on paper
sight: 10 1/2 x 14 in. (26.7 x 35.6 cm)
frame: 17 7/8 x 20 5/8 in. (45.4 x 52.4 cm)

Claes Oldenburg Cemetery in the Shape of a Colossal Screw Skyscraper, for Sao Paolo, Brazil, 1971 pencil and colored pencil on paper sight: 14 x 11 in. (35.6 x 27.9 cm) frame: 20 7/8 x 17 5/8 in. (53 x 44.8 cm)

Claes Oldenburg
Cemetery in the Shape of a Colossal Screw Skyscraper, for Sao Paolo, Brazil, 1971
pencil and colored pencil on paper
sight: 14 x 11 in. (35.6 x 27.9 cm)
frame: 20 7/8 x 17 5/8 in. (53 x 44.8 cm)

Claes Oldenburg Colossal Sculpture in the Form of a Bear on the Flag of California - Shown in the Final Stages of Excavation, 1971 pencil and colored pencil on paper sight: 14 x 11 in. (35.6 x 27.9 cm) frame: 20 7/8 x 17 5/8 in. (53 x 44.8 cm)

Claes Oldenburg
Colossal Sculpture in the Form of a Bear on the Flag of California - Shown in the Final Stages of Excavation, 1971
pencil and colored pencil on paper
sight: 14 x 11 in. (35.6 x 27.9 cm)
frame: 20 7/8 x 17 5/8 in. (53 x 44.8 cm)

Claes Oldenburg Memorial to the 1941 Attack on Pearl Harbor, Hawaii Water "Park" with "Foliage" in the Form of Explosions, 1971 pencil and colored pencil on paper sight: 11 x 14 in. (27.9 x 35.6 cm) frame: 17 3/4 x 20 5/8 in. (45.1 x 52.4 cm)

Claes Oldenburg
Memorial to the 1941 Attack on Pearl Harbor, Hawaii Water "Park" with "Foliage" in the Form of Explosions, 1971
pencil and colored pencil on paper
sight: 11 x 14 in. (27.9 x 35.6 cm)
frame: 17 3/4 x 20 5/8 in. (45.1 x 52.4 cm)

Claes Oldenburg Tower in the Form of a Colossal Thumb, "Czar's Thumb," on the Moscow Road , 1971 pencil and colored pencil on paper sight: 14 x 11 in. (35.6 x 27.9 cm) frame: 20 7/8 x 17 5/8 in. (53 x 44.8 cm)

Claes Oldenburg
Tower in the Form of a Colossal Thumb, "Czar's Thumb," on the Moscow Road, 1971
pencil and colored pencil on paper
sight: 14 x 11 in. (35.6 x 27.9 cm)
frame: 20 7/8 x 17 5/8 in. (53 x 44.8 cm)

Walid Raad Epilogue: The Gold and Silver, 2021 10 pigmented inkjet prints each: 23 3/4 x 20 1/2 in. (60.3 x 52.1 cm) frame: 24 1/2 x 21 1/4 x 1 3/4 in. (62.2 x 54 x 4.4 cm)

Walid Raad
Epilogue: The Gold and Silver, 2021
10 pigmented inkjet prints
each: 23 3/4 x 20 1/2 in. (60.3 x 52.1 cm)
frame: 24 1/2 x 21 1/4 x 1 3/4 in. (62.2 x 54 x 4.4 cm)
Edition 2 of 5, 2 APs

Veronica Ryan Separate but together, 2024 bronze, crocheted fishing line, cotton thread, shriveled mango, date net, embroidered cotton fabric, and wadding 12 x 14 in. (30.5 x 35.6 cm)

Veronica Ryan
Separate but together, 2024
bronze, crocheted fishing line, cotton thread, shriveled mango, date net, embroidered cotton fabric, and wadding
12 x 14 in. (30.5 x 35.6 cm)

Joel Shapiro Untitled, 1980/2003 wood and casein 5 1/2 x 4 3/4 x 1 9/16 in. (14 x 12.1 x 4 cm)

Joel Shapiro
Untitled, 1980/2003
wood and casein
5 1/2 x 4 3/4 x 1 9/16 in. (14 x 12.1 x 4 cm)

Kelley Walker
[the color chips\the large glass\ life with mammals], 11/15/2023
oil paint on plywood panel
42 x 42 1/2 x 2 in. (106.7 x 108 x 5.1 cm)
signed, dated and titled on verso

Kelley Walker
[the color chips\the large glass\ life with mammals], 11/15/2023
oil paint on plywood panel
42 x 42 1/2 x 2 in. (106.7 x 108 x 5.1 cm)
signed, dated and titled on verso

Dan Walsh Extent, 2024 acrylic on canvas 55 x 55 in. (139.7 x 139.7 cm)

Dan Walsh
Extent, 2024
acrylic on canvas
55 x 55 in. (139.7 x 139.7 cm)

Meg Webster Pike, 2024 bronze height: 120 in. (304.8 cm) diameter: 3 in. (7.6 cm)

Meg Webster
Pike, 2024
bronze
height: 120 in. (304.8 cm)
diameter: 3 in. (7.6 cm)
Edition 1 of 3, 1 AP

Jackie Winsor Burned and Red Inside Out Piece, 1985 Wood, paint 30 x 30 x 30 in. (76.2 x 76.2 x 76.2 cm)

Jackie Winsor
Burned and Red Inside Out Piece, 1985
Wood, paint
30 x 30 x 30 in. (76.2 x 76.2 x 76.2 cm)