Jonathan Borofsky
You are Alone Slow Down There is No One to Please but Yourself, 1975-76
acrylic on canvas 54 x 144 in. (137.2 x 365.8 cm)
Atsuko Tanaka
Untitled, 1980
pencil on paper
10 3/4 x 7 3/4 in. (27.3 x 19.7 cm)
frame: 18 1/4 x 15 x 1 1/4 in. (46.4 x 38.1 x 3.2 cm)
Atsuko Tanaka
77Q-81, 1977–81
acrylic lacquer on canvas
painting: 63 3/4 x 51 1/16 in. (161.9 x 129.7 cm)
frame: 64 3/4 x 52 3/8 in. (164.5 x 133 cm)
Christian Marclay
Actions: Splashhh Splosh (no. 9), 2012
acrylic paint and silkscreen ink on Saunders Waterford White paper
image: 60 x 42 in. (152.4 x 106.7 cm)
frame: 64 1/2 x 46 1/2 x 2 1/4 in. (163.8 x 118.1 x 5.7 cm) unique
Paul Pfeiffer
Desiderata (Big Wheel), 2019
digital video loops, fabricated aluminum monitor with two embedded media players
4 5/16 x 13 3/8 x 4 3/4 in (11 x 34 x 12 cm)
running time: 1 minute 30 seconds
Tauba Auerbach
Marble, 2019
acrylic paint on paper 23 x 17 5/8 in. (58.4 x 44.8 cm)
frame: 26 x 20 3/8 x 1 1/2 in. (66 x 51.8 x 3.8 cm)
Sarah Charlesworth
Bowl, 1986
Cibachrome with lacquered wood frame
41 x 31 in. (104.1 x 81.3 cm)
Bruce Conner
THE LATE NIGHT MOVIE ON TV 10A: JUNE 10, 1978, photographed 1978, printed 1986
gelatin silver print image: 8 13/16 x 13 in. (22.4 x 33 cm)
frame: 16 3/4 x 20 3/4 in. (42.5 x 52.7 cm)
Bruce Conner
THE LATE NIGHT MOVIE ON TV 13A: JUNE 10, 1978, photographed 1978, printed 1986
gelatin silver print image: 13 1/16 x 8 7/8 in. (33.2 x 22.5 cm)
frame: 20 3/4 x 16 3/4 in. (52.7 x 42.5 cm)
Walid Raad/The Atlas Group
Festival of Gratitude: Ali, 2003/printed 2021
inkjet print on Luster Paper Epsom Premium
print: 15 1/2 x 22 1/2 in. (39.4 x 57.2 cm)
frame: 16 3/4 x 23 3/4 x 1 1/2 in. (42.5 x 60.3 x 3.8 cm)
Walid Raad/The Atlas Group
Festival of Gratitude: Hassan, 2003/printed 2021
inkjet print on Luster Paper Epsom Premium
print: 15 1/2 x 22 1/2 in. (39.4 x 57.2 cm)
frame: 16 3/4 x 23 3/4 x 1 1/2 in. (42.5 x 60.3 x 3.8 cm)
Walid Raad/The Atlas Group
Festival of Gratitude: Omar, 2003/printed 2021
inkjet print on Luster Paper Epsom Premium
print: 15 1/2 x 22 1/2 in. (39.4 x 57.2 cm)
frame: 16 3/4 x 23 3/4 x 1 1/2 in. (42.5 x 60.3 x 3.8 cm)
Walid Raad/The Atlas Group
Festival of Gratitude: Walid, 2003/printed 2021
inkjet print on Luster Paper Epsom Premium
print: 15 1/2 x 22 1/2 in. (39.4 x 57.2 cm)
frame: 16 3/4 x 23 3/4 x 1 1/2 in. (42.5 x 60.3 x 3.8 cm)
Terry Adkins
Marshall, 2013
wood-handled fruit harvester, chrome, blown glass, and velvet cushion
45 x 12 x 12 in. (114.3 x 30.5 x 30.5 cm)
Veronica Ryan
Scaffold, 2021-2022
metal shelf, zip ties, thread, empty coffee containers, sculpey, hydrocal, bronze, fishing line, thread, plastic net, embroidery ring
63 3/8 x 36 1/2 x 26 in. (161 x 92.7 x 66 cm)
Eric N. Mack
Mood Ring, 2020
acrylic, dye, paper on packing blanket
72 x 79 in. (182.9 x 200.7 cm)
Veronica Ryan
Seen, Unseen → Unseen, Seen, 2016-2023
embroidered fabric with batting
51 1/2 x 18 x 4 in. (130.8 x 45.7 x 10.2 cm)
signature and date embroidered: "VR 2016-2023"
Sarah Charlesworth
Fashion Collage, 1983-1984
cibachrome with lacquered wood frame
frame: 20 1/2 x 15 3/4 x 1 1/4 in. (52.1 x 40 x 3.2 cm)
Edition 6 of 7, + 2 APs
Liz Glynn
Untitled Vessel #4 (from The Looters), 2022
glazed stoneware with ceramic decals
7 1/2 x 14 x 9 in. (19.1 x 35.6 x 22.9 cm)
Liz Glynn
Untitled Vessel #10 (from The Looters), 2022
glazed stoneware
11 x 15 x 11 in. (27.9 x 38.1 x 27.9 cm)
Claes Oldenburg
Design for a Theater Library in the Form of Binoculars – Model, 1984
wood painted with latex and spray enamel, cardboard and chalk
6 1/4 x 14 x 14 in. (15.9 x 35.6 x 35.6 cm)
Claes Oldenburg
Design for a Theater Library for Venice in the Form of Binoculars and Coltello Ship in Three Stages, 1984
pencil, colored pencil, chalk, watercolor
paper: 29 3/4 x 40 in. (75.6 x 101.6 cm)
frame: 32 7/8 x 43 in. (83.5 x 109.2 cm) signed and dated recto: "CO '84"
