Booth E12
December 4-8, 2024
Featuring works by: Terry Adkins, Tauba Auerbach, Jennifer Bartlett, Sophie Calle, Sarah Charlesworth, Jay DeFeo, Mark di Suvero, Ja’Tovia Gary, Cynthia Hawkins, Sherrie Levine, Sol LeWitt, Eric N. Mack, Christian Marclay, David Novros, Claes Oldenburg, Paul Pfeiffer, Walid Raad, Veronica Ryan, Henry Taylor, Kelley Walker, Dan Walsh, and Meg Webster.
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Sol LeWitt
"Before doing this work, I did three-dimensional paintings using words and figures. These figures were taken from single frames of Muybridge’s serial photographs. As the colors advanced and receded visually the forms did so physically, projecting from the frontal plane or receding behind it. These pieces are referred to as structures because they are neither paintings nor sculpture, but both.” [1]
Learn more about Sol LeWitt's Run I here
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Paul Pfeiffer
Learn more about Paul Pfeiffer's Incarnator series here
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Mark di Suvero
"I found the rules of the pendulum, and the rules of equilibrium, by making toys for
children. […] I was becoming very socially conscious. The kids from the neighborhood
who lived in the projects came, and I started making toys. Often when we do something
nice for someone, we receive without realizing it. The kids taught me what works and
what doesn't." [2]
Mark di Suvero
Untitled (Swing), 2008-2022
stainless steel, aluminum, rubber, rope
16 x 8 x 15 ft (487.7 x 243.8 x 457.2 cm)
Learn more about Mark di Suvero's swing sculptures here
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Claes Oldenburg
″ ... I am for an art that is political-erotical-mystical ... I am for an art that takes its form from the lines of life itself, that twists and extends and accumulates and spits and drips, and is heavy and coarse and blunt and sweet and stupid as life itself ... I am for the art of sweat that develops between crossed legs ... for the majestic art of dog-turds, rising like cathedrals ... ” [3]
Claes Oldenburg
Prick Leg, c. 1965
63 x 15 x 3 in. (160 x 38.1 x 7.6 cm)
Claes Oldenburg
Untitled (Erotic Fantasy), 1970
ink and colored pencil on paper
8 3/4 x 11 3/4 in. (22.2 x 29.8 cm)
frame: 15 3/4 x 18 1/4 x 1 1/4 in. (40 x 46.4 x 3.2 cm)
initialed and dated: "CO 70" lower right
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Jennifer Bartlett
Jennifer Bartlett
In the Garden Drawing #149, 1980
watercolor on paper
paper: 26 x 19 1/2 in. (66 x 49.5 cm)
frame: 28 1/2 x 22 1/8 x 1 1/4 in. (72.4 x 56.2 x 3.2 cm)
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Henry Taylor
Henry Taylor
Somebody Blessed Me, 2004
acrylic on canvas
30 x 30 in. (76.2 x 76.2 cm)
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Terry Adkins
"This is a piece I made called Prophet that's a memory jug wrapped in parachute with nautilus shells. It has to do with the influence of seeing Michelangelo's Moses, horned; John the Baptist, head on the silver platter; John Brown, martyr; and the biblical associations thereof." [4]
Terry Adkins
Prophet, 2010
Nautilus shells, silk parachute, rope, tape, plaster memory jug, silver tray, cabinet, and starfish
overall: 58 x 19 x 19 in. (147.3 x 48.3 x 48.3 cm)
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Sherrie Levine
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Sarah Charlesworth
Sarah Charlesworth
Figures, 1983
cibachrome prints with lacquered wood frame
diptych: 42 x 63 in. (106.7 x 160 cm)
AP 2, Edition of 3, 3 APs
signed (SC), blind-stamped using the artist’s embossing seal on the lower right corner of the print, with an estate label on the verso side
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Christian Marclay
Christian Marclay
Yes (from the series "Body Mix"), 1991
two record covers and cotton thread
20 x 14 in. (50.8 x 35.6 cm)
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Sophie Calle
Sophie Calle
Autobiographies (The Giraffe), 2012
digital print mounted on aluminum, text panel with black & white photograph and found frame
framed text: 19 3/4 x 19 3/4 in. (50 x 50 cm)
framed photograph: 80 3/4 x 43 3/8 in. (205 x 110 cm)
Edition 4 of 5 (English)
Edition of 5 + 1 AP (English), Edition of 5 + 1 AP (French)
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Walid Raad
Walid Raad
Epilogue: The Gold and Silver_Slugs, 2021
pigmented inkjet print
23 3/4 x 20 1/2 in. (60.3 x 52.1 cm)
frame: 24 1/2 x 21 1/4 x 1 3/4 in. (62.2 x 54 x 4.4 cm)
edition 4 of 5, 2 APs
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Jay DeFeo
Jay DeFeo
Untitled, 1973
gelatin silver print
image: 7 1/2 x 5 inches (19.1 x 12.7 cm)
sheet: 7 15/16 x 5 inches (20.2 x 12.7 cm)
frame: 16 1/2 x 13 1/2 x 1 1/8 in. (41.9 x 34.3 x 2.9 cm)
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Ja’Tovia Gary
Ja'Tovia Gary
Nice Nasty, 2024
Macintosh M0001 computer monitor, rose quartz, smoky quartz, clear quartz crystals, digital video, stereo sound
computer monitor: 13 5/8 x 9 5/8 x 10 7/8 in. (34.6 x 24.4 x 27.6 cm)
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Cynthia Hawkins
“Abstraction is not merely taking things, ideas, and objects apart. For me, abstraction is about possibilities and the potential of the real to become something other. Abstraction offers me opportunities to remake the real. I find abstraction in literature, philosophy, and science; these fields allow me to make unlikely connections to engage with in my practice.” [5]
Cynthia Hawkins
Chapter 3: Maps Necessary for a Walk in 4D, 2024
acrylic on canvas with oil bar
70 x 60 in. (177.8 x 152.4 cm)
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Eric N. Mack
Eric N. Mack
Adrift, 2023
fabric on aluminum stretcher
stretcher: 77 x 44 in. (195.6 x 111.8 cm)
overall: 80 x 47 x 3 in. (203.2 x 119.4 x 7.6 cm)
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Veronica Ryan
Learn more about Veronica Ryan here
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Meg Webster
"For a long while I've been making work that encourages people to meet and see each other. Two Black Seats similarly provides a meeting place for two people while creating minimal material objects." [6]
Meg Webster
Two Black Seats, 1993
pigmented beeswax
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Dan Walsh
Dan Walsh
Sort, 2013
acrylic on canvas
55 x 55 in. (139.7 x 139.7 cm)
signed, titled and dated verso: "Dan Walsh Sort 2013"
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Tauba Auerbach
Tauba Auerbach
Foam, 2024
acrylic on dibond
16 x 24 x 1 in. (40.6 x 61 x 2.5 cm)
signed and dated verso: "Tauba Auerbach 2024"
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[1] Sol LeWitt in Sol LeWitt, exh. cat. (New York: Museum of Modern Art, 1978), p. 50.
[2] Claes Oldenburg, 1961. Published in Store Days, 1967, and reprinted in the catalogue of Arts Council of Great Britain retrospective, Tate Gallery, London, 1970.
[3] Terry Adkins, "Why The Civil War Still Matters to American Artists," lecture presented at the Smithsonian American Art Museum, Washington, D.C – March 13, 2013.
[4] Jed Morse and Marin R. Sullivan, Mark di Suvero: Steel Like Paper, exh. cat., (Dallas, TX: Nasher Sculpture Center, 2023), p. 18.
[5] Cynthia Hawkins interviewed by Ksenia M. Soboleva, BOMB Magazine, August 2, 2023: https://bombmagazine.org/articles/cynthia-hawkins-interviewed/.
[6] Meg Webster, 2024.
